1/20/2024 0 Comments Mastering plugins logic pro x![]() Life is easier from a technical standpoint if you DI the guitar via an inbuilt pickup system insomuch as you don't have to worry too much about noise pickup from the computer or from other instruments, but in my experience, the output of a piezo bridge pickup takes a lot of processing to get it to sound anywhere near right. Guitars will in-built preamps can be DI'd directly via a line input of your audio interface. Don't forget that if you have one of those rare passive piezo pickup systems, you need to DI it using an active DI box or other device with a very high input impedance. There's also a new plug-in in Logic Pro 7 called Match EQ, and, as I'll show later, this may sometimes be effective in improving the sound of those guitars fitted with piezo electric bridge pickups. Recording the acoustic guitar is much the same regardless of the recording hardware or software being used, but Logic has a number of plug-ins that are well suited to creating both contemporary and more traditional acoustic guitar sounds at the mixing stage. The Waves: Abbey Road J37 tape emulation plugin will bring stunning analog warmth to your digital recordings, delivering a level of hardware realism never before experienced “in the box.We look at how you can mock up a live acoustic guitar sound from a DI'd recording, using Logic's built-in plug-ins. In order to push the envelope even further, a comprehensive Tape Delay unit has been added to complement those warm tones. Specially developed by EMI during the ‘60s and ‘70s, each formula has its own unique frequency response and harmonic distortion behavior. In addition to the J37 itself, three exclusive oxide tape formulas have been modeled. With a variety of user-adjustable controls including Tape Speed, Bias, Noise, Saturation, Wow and Flutter, the Waves: Abbey Road J37 faithfully recreates the inimitable sonic signature of the original machine. Waves and Abbey Road Studios present the J37 tape saturation plugin, a precision model of the very machine used to record many of the greatest masterpieces in modern music. The powerful combination of high quality processing, optimized workflow using the interactive multiband display and all the expert features you need, makes Pro-MB both a lifesaver and timesaver! Of course, we have also included an excellent Linear Phase mode and a traditional Minimum Phase mode. It has virtually the same frequency response as traditional multiband processing, but doesn't introduce latency or pre-ringing, and only introduces minor phase changes when the gain actually changes. And if desired, you can easily snap bands together to recreate a traditional crossover system.įabFilter Pro-MB introduces a unique Dynamic Phase processing mode. The interactive multiband display clearly shows that the rest of the spectrum stays untouched. Instead of conventionally splitting the entire spectrum with crossovers, Pro-MB enables you to directly create a new band at the frequency range you want to work on. “internal resampling”) combined with elaborate signal processing techniques ensure the highest signal integrity is maintained throughout the processing. An effective auto gain mechanism automatically compensates for changes of perceived loudness while operating the EQ and last but not least, semi-intelligent signal analysis options allow matching the input signal’s spectrum against a pink noise reference or automatically setting the HP and LP filters according to the signal’s audible bandwidth.Īs with SlickEQ Standard and SlickEQ – Gentleman’s Edition, a multirate processing scheme (a.k.a. The EQ bands in particular include an elaborate nonlinearity inspired by the musically beneficial side effects found in inductor filter technology. Six powerful parametric filter bands give precise access over tone, timbre and the stereo image, and a sophisticated meta-filter offers direct and intuitive access to the brightness, hardness or equal loudness curve of an audio signal.Īll filters except HP and LP operate in a parallel EQ configuration. Specifically developed for the audio mastering engineer, no compromises have been made to deliver an exceptional musical flexibility and audio fidelity.īehind an intuitive user interface hides as staggering array of possibilities: A set of musical high-pass and low-pass filters including a low frequency “monoization” section offer detailed control over the signal bandwidth. TDR SlickEQ M (Mastering Edition) extends SlickEQ’s proven concept into a fully-fledged stereophonic equalizer. ![]()
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